Evil Eye (Remix)
The Evil Eye remix trades the original's weight and negative space for dance floor immediacy — brighter, sharper, and more compressed, with a mix engineered to cut through larger systems. Added chords and vocal chops push the harmonic content forward, creating more moment-to-moment release without sacrificing the off-kilter tension and propulsion that define Scott Avery's sound. Originally recorded in 2022 and inspired by J.J. Johnson & His Orchestra's 1972 instrumental reading of "Across 110th Street," the remix returns to the source with new intent.
Available June 26, 2026
Pre-save →
In Search of Echoes
“In Search of Echoes” is the third vinyl release from Detroit electronic producer Scott Avery, expanding his genre-bending approach to dance music. Using sonar technology as a metaphor, Avery explores new sonic territory with four striking tracks. Side A features maximalist electro; Side B offers minimal techno. Drum patterns break convention while hypnotic basslines and surprise melodies surface throughout. The EP is a bold, conceptually distinct search for authenticity, reflecting Avery’s artistry and pursuit of evolving sound.
Buy the vinyl release →
Future - Plutoski
(Scott Avery Deep House Edit)
Scott Avery's rework of Plutoski isn't the kind of remix that feels premeditated—it's the kind that happens almost by fate. Some tracks are reimagined with precision and sculpted into new shapes with deliberate intent. Others emerge organically, the result of a passing idea that unexpectedly clicks. That was the case here.
Free Download →
Dark Side of Mars
In his second EP, Scott Avery takes us on a journey through the life of MK2680—a fictional android, Martian, and human hybrid living between Earth and Mars in the year 3000. A young historian traveling through space and time searching for ancient African music traditions, MK2680's time machine malfunctions on a routine trip to Earth, leaving him stranded in Detroit in 1992. Techno, a genre he had yet to encounter, dominated the dance floors and airwaves during this time. Blown away by its emotional depth, futuristic sound, gritty textures, driving rhythms, and minimal yet hypnotic arrangements, MK2680 endeavored to make music to find a place in the universe. The result is "Dark Side of Mars."
Buy the vinyl release →
Center of the Universe
“Center of the Universe” is a dance track inspired by piano and vocal house from the 1990s. The song features LA-based vocalist Cheshy, who delivers an empowering message of self-affirmation, perseverance, and hopefulness over an unrelenting chord progression, a super smooth bassline, and a classic 909 drum groove. If you've been listening, you might notice some similarities to Scott Avery's latest track, "Set Free," featuring standout vocals from Monica Blaire. However, "Center of the Universe" distinguishes itself with a fresh and dynamic arrangement. Despite that, both tracks aim to get bodies on the dance floor.
Listen → | Video →
Set Free feat.
Monica Blaire
Diving deeper into Scott Avery’s singular sense of stylistic play, Set Free also doubles as a dance-worthy homage to the artist’s personal history. The infectious key riff that undergirds this throwback track honors East Coast dance music’s origins in disco. Meanwhile, presiding over Avery’s four-on-the-floor beat, vocalist Monica Blaire brings the verve and tenacity of her native Detroit—Avery’s current home and the center of his musical stylings. Skillfully integrating influences across eras and regions, Set Free presents the dance floor as a transcendent space beyond limits.
Buy → | Stream → | Video →
Find
Another
You
Find Another You melds multiple genres into a four-part single featuring Monica Blaire, Detroit singer, songwriter and MC. Drawing inspiration from the legendary drummer Clyde Stubblefield (who recorded and toured with James Brown), Find Another You is an homage to Avery's first love, B-boying over rare breaks.
Buy →
Stream →
Video →
Evil Eye
Evil Eye is an electro-fusion track inspired by J.J Johnson & His Orchestra's 1972 instrumental version of Across 110th Street by Bobby Womack. In what is fast becoming his signature sound, Avery playfully extracted elements from various genres to push electro beyond its storied 808 formulations, aiming to create something off-kilter, yet infectious.
Buy →
Stream →
Video →
Visualizers
Dark Side of Mars
In his second EP, Scott Avery takes us on a journey through the life of MK2680—a fictional android, Martian, and human hybrid living between Earth and Mars in the year 3000. A young historian traveling through space and time searching for ancient African music traditions, MK2680's time machine malfunctions on a routine trip to Earth, leaving him stranded in Detroit in 1992. Techno, a genre he had yet to encounter, dominated the dance floors and airwaves during this time. Blown away by its emotional depth, futuristic sound, gritty textures, driving rhythms, and minimal yet hypnotic arrangements, MK2680 endeavored to make music to find a place in the universe. The result is "Dark Side of Mars."
Center of the Universe
Feat. Cheshy
Center of the Universe is a dance track inspired by piano and vocal house from the 1990s. The song features LA-based vocalist Cheshy, who delivers an empowering message of self-affirmation, perseverance, and hopefulness over an unrelenting chord progression, a super smooth bassline, and a classic 909 drum groove. If you've been listening, you might notice some similarities to Scott Avery's latest track, "Set Free," featuring standout vocals from Monica Blaire. However, "Center of the Universe" distinguishes itself with a fresh and dynamic arrangement. Despite that, both tracks aim to get bodies on the dance floor.
Set Free Feat. Monica Blaire
Diving deeper into Scott Avery’s singular sense of stylistic play, Set Free also doubles as a dance-worthy homage to the artist’s personal history. The infectious key riff that undergirds this throwback track honors East Coast dance music’s origins in disco. Meanwhile, presiding over Avery’s four-on-the-floor beat, vocalist Monica Blaire brings the verve and tenacity of her native Detroit—Avery’s current home and the center of his musical stylings. Skillfully integrating influences across eras and regions, Set Free presents the dance floor as a transcendent space beyond limits.
Find Another You
Feat. Monica Blaire
Find Another You melds multiple genres into a four-part single featuring Monica Blaire, Detroit singer, songwriter and MC. Drawing inspiration from the legendary drummer Clyde Stubblefield (who recorded and toured with James Brown for six years), Find Another You is an homage to Avery's first love, B-boying over rare breaks. Video: Matt Warren Bruinooge
Evil Eye
Evil Eye is an electro-fusion track inspired by J.J Johnson & His Orchestra's 1972 instrumental version of Across 110th Street by Bobby Womack. In what is fast becoming his signature sound, Avery playfully extracted elements from various genres to push electro beyond its storied 808 formulations, aiming to create something off-kilter, yet infectious. Video: Matt Warren Bruinooge
Pink Polo
Pink Polo features Avery approaching techno with verve. Flowing fast from the moment the needle drops, its driving beats are in constant flux, pulling you into an unstoppable groove. Video: S.E.G aka Selwa Abd & Greg Z
Child Self
As one of the earliest tracks that Avery produced, Child Self is a testament to the DIY ethos of Avery’s self-analysis. Avery recorded the percussive elements in his kitchen, demonstrating a unity of technical expertise with experimentation. Video: S.E.G aka Selwa Abd & Greg Z
Ecstasy
Ecstasy begins Child Self’s B-side with a tight, industrial wrap. From the earliest moments of its long, experimental intro, “Ecstasy” is Avery’s commentary on, and celebration of, the club context. Video: S.E.G aka Selwa Abd & Greg Z
Operational Tempo
As the closing track to Child Self, Operational Tempo is the coda to Avery’s come-up. Here, genre-hybridity and meticulous beat serve as a triumphant look at the production process, depicting the journey as an ode to perseverance that cumulatively mounts to a fever pitch. Video: S.E.G aka Selwa Abd & Greg Z
About
Born in Philadelphia and raised on the sounds of his father's expansive record collection, Avery's appreciation for music was shaped as much by the city as by home. Early influences included basement parties and neighborhood cookouts — spaces of community and celebration that fostered a genre-spanning love of music.
In 2016, Avery relocated from New York City to Detroit, where the city's techno legacy and vibrant creative community became a constant source of inspiration. Following his father's passing in 2018, those early musical memories resurfaced, prompting a deeper engagement with electronic music.
His debut EP, Child Self, introduced an approach rooted in curiosity rather than genre convention. Drawing freely from techno, house, electro, disco, soul, and hip-hop, Avery's productions are marked by unusual rhythmic turns, unexpected melodic choices, and a playful willingness to push familiar forms slightly off center. Since then, he has built a growing body of work through his independent label, 48208 World.
Child Self Remixed brought the project into conversation with artists including Jay Daniel, Russell E.L. Butler, and Tammy Lakkis, while Find Another You and Set Free expanded an ongoing collaboration with vocalist Monica Blaire. Subsequent releases continued to blur stylistic boundaries: Dark Side of Mars unfolded through the story of a time-traveling Martian stranded in Detroit at the height of techno's ascent, while In Search of Echoes used sonar technology as a metaphor for discovery and self-exploration. Avery also contributed a remix to SCAN 7's Hallowed Ground, placing his work in direct conversation with Detroit's living techno lineage. Across his catalog, Avery treats genres less as fixed categories than as raw materials, creating music that balances emotional depth, conceptual play, and an enduring commitment to exploration.
Hit me.
For live sets, collabs, remixes and press requests, contact me at scott[at]scottaverysound.com.